Writing Progress Sep 2018
I couldn’t come up with a more imaginative title.
So, let’s see. Last time I checked in, I was writing 1000 words a day. In an unsurprising move, I’ve since ditched that approach (HA!) for the main reason that my story brain just doesn’t work that way. Yes, hitting a target every day is splendid for my sense of achievement, but for whatever bloody reason, my creative mind doesn’t build story bit by bit. It’s more of a dump-and-run kinda gal.
First Realisation (that I’ve already had but, as anyone who’s read more than one post on this blog can say, I change my mind about my process around six times a week): My story brain likes to work in big chunks, with breaks in between. Therefore, I’m better suited to heavy drafting days with time off, rather than a steady trickle. I wish this weren’t the case.
Using this approach, I’ve climbed to 36,000 words in Beauty and the Beast. Most of it is in my ‘Explorations’ folder, but hey, a word’s a word, right?
Nope. Because what I need are useable words – not words that take me down the wrong path.
Second Realisation (that I think is true but no doubt I’ll have the opposite ‘realisation’ in a week or so): I need to plan – and I mean really plan – before drafting. What I need to focus on is conflict. If I’ve worked out meaningful conflict, the scene practically writes itself. If I have crap conflict, I stumble, I procrastinate, and then I usually end up on the sofa watching Netflix and wondering if I’ll ever write anything decent ever again.
I think, in the past, I’ve not planned enough. Like, I’ll sketch out a scene that gets characters from A to B, think it’s alright, then move on. But what I really need to do is dig far deeper than that. I need to check conflict and drama. I need to make sure motivations are sound. It’s a little like testing a theory or a new invention. I can’t settle for the first thing that appears to work; I’ve got to diligently test every component, and accept that the first attempts will fail under scrutiny. But it’s better to get it right in the early stages in order to save me from hellish days stuck at the computer where I know the story has gone wrong and therefore I’m wrong and therefore I suck and oh god please give me the gin.
So yeah. That’s where I’m at. I’m planning. I’m working on central conflicts, chucking out most of it and keeping a nugget here and there. I don’t know when I’ll add to the manuscript, and I don’t know if, when I get there, I’ll feel like the fun is gone because I know what happens. If that is the case, I don’t know if that’s just a downside to spending so much time making sure my story’s foundation is solid.
But it’s cool. Everything’s totally fine.