The Honest Writer

This blog is an open and honest account of what it’s like to be an author, in the hope it helps others on the same journey feel less alone. I change my mind, I babble, and I occasionally over-share. Please ignore any advice I give (except the advice about ignoring the advice). 

Ms. Predictable

I’ve run out of steam again. Seriously, this happens every three weeks. You could set your clock by it. 

This time around, I don’t like my characters, the tone is too serious, and I think the story is ultimately predictable and unoriginal. So, do I keep going, or do I start something new? Because here’s my dilemma: I don’t know if I’m quitting too easily, or if I’ve simply not found my next good idea. Every novelist has unfinished projects; what if I’m simply going through a bad patch? It’s been two years now since I took an idea to completion. In the big scheme of things, that’s not so bad, is it? Or is it terrible? I don’t know. 

The only possible solution I can think of is to start something new and write it completely into the dark – i.e. with no bloody clue where I’m headed. If I don’t know what the whole story looks like, I won’t be able to say the whole thing’s crap. Right? Of course, there’s a whole host of other problems that come from pantsing a novel, but at least I can identify them. I know what ‘I don’t know what comes next’ looks like. Also, with cycling as I go, I can correct a wrong turn quicker than if I write madly through the first draft. If I properly cyclepants a novel (yeah I’m owning that term) and I quit at the three week mark, I’ll know FOR SURE that the problem is with me, and not the idea. 

K. I’m doing it. All I need is an opening line.

Game face on.

Here we go again. 

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Born ready. 


This is my new Method. But more on that in a sec. First, I just finished reading this essay about ambition. I would recommend. 

But back to the Method. I’ve been stuck on the third chapter of my latest WIP for a while now, and I also know that the first two chapters need redone. So, rather than flail around in Chapter Three forever more, I decided to go back to the beginning, and revise/rewrite what I have so far. I removed the word count from Scrivener, and focused purely on the story. I also gave myself permission to veer away from my rough outline (pants), and to take the time to make the words nice as I go along (cycle). Hence, cyclepants. (For anyone not familiar with the term ‘cycling’, it’s basically revising as you go).

I’ve been dancing with this method for a few years now, ever since I read Writing into the Dark by Dean Wesley Smith. I don’t agree with everything he says, but nevertheless the book struck a real chord with me. Ever since, I’ve suspected I’m a true pantser, even though I enjoy the process of outlining. (The problem comes when I try and translate that outline into a novel.) I pantsed the first 60 pages of one WIP, then got completely stuck. I wonder if it was because I wrote it longhand, meaning I couldn’t cycle back and correct the path of the story whenever I felt myself veering off track. I think for cyclepants to work, I need to work on the computer. BUT, I’ll always have my notebook nearby so I can ask myself questions about the characters and what they’re feeling at the time. 

Obviously, it is with tongue planted firmly in cheek that I declare this my Method, because I know I have no Method. My brain refuses to accept one (for anything more than a fortnight) and all attempts at ‘finding my process’ have failed. So what I really should say is this is my new Method for writing this part of this book. It feels right. My gut is telling me to do this. So I’m gonna do it. 

Next week, maybe the week after, it will probably all change again. 

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Past or Present

Why do I keep switching to the present tense in my current WIP? It doesn’t work with the way the story is told. Yet every few sentences I catch myself slipping back into present. GAH!

(Seriously, just have to vent about this new WordPress editor again – it is the worst. The WORST.)

Anyway, I struggled with drafting today. My plan originally was to finish Chapter Two. I got a few hundred words in, then really started to toil. To avoid moving ahead, I reread earlier stuff and made tweaks here and there, which is when I realised that editing is moderately easier than drafting. As the old saying goes, you can’t edit a blank page. 

So I decided to stuff the inner editor into a box, then put that box inside a bigger box, and then SMASH IT WITH A HAMMER!

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Most underrated Disney film

The result? 1000 words of some real hairy drafting, but it’s all good, cos I can fix it later on. With Nano just around the corner, now’s the perfect time for me to get back into the habit of vomit-drafting. It’s funny, sometimes I feel like everything has to be perfect before I can move ahead, and other times I feel like I need to reach The End so I can see the whole story, and then go in and make big changes. And when I say funny I mean annoying. 

S’aallll good. 

A Path Through the Forest

In these dark and troubled times, I ask myself: how do we resist? Is the answer anger and aggression? Or is it understanding? But how do we understand people with so much hate in their hearts? 

How can love and acceptance win when abuse, corruption and intolerance poison our species? And if we do choose to accept, does that mean we must accept everyone, including the sexists, rapists, homophobes, racists, abusers, cheaters, liars and money-grabbers? 

In all this darkness, how do we bring out the light?

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I don’t have the answer. But it’s something I’m thinking about every day. I want to believe the right way isn’t to fight fire with fire. I don’t want a ‘war’, because then there will be a perceived winner and loser, and people will do anything to avoid being on the losing side. I want to believe in peace and compassion, but right now, I have no idea how to successfully employ these ideals in the current toxic climate. 

Anyway, that’s enough serious stuff for a moment. Back to writing stories:

Yesterday I finished the first chapter of my WIPand then immediately figured out what Chapter One should really look like (i.e. nothing like its current form). But, the cool thing is I was excited – which means my brain is here for the long haul. In a lot of recent projects, a realisation like this would have sent me into despair. This time around, however, I’m totally relaxed about doing lots of future drafts. 

I’m not going to fix Chapter One now. Instead, I’m going to complete the full first draft, so I can see the entire story at once. Then, I’ll dive back and make all the major changes. Thanks to Scrivener, I can easily make all my editing notes alongside the manuscript. Oh Scrivener, where would I be without you? 

I’m still struggling to maintain realistic expectations about how long it takes me to write a book. I said in my previous post that I wanted two books out by May 2019, but already I want to revise that to June. And even then…I’m prepared to push back if the books aren’t ready.

Currently Reading: The Miniaturist

Current FK wordcount: 5342

Current mood: Pensive









What’s This? What’s This?

Image result for nightmare before christmas

I had a GOOD DAY today! And I was knackered, and felt physically crappy, and the words took soooo long, but I still wrote 2000 words and brainstormed some big ideas and I was super-dooper excited.

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Oh, why can’t I bottle this feeling so I can have a little sip whenever it disappears? I guess all I can do is read this post and remember the good times. 

Today I also mapped out a rough publishing schedule. I hope to have two books out by May 2019, but I’m also allowing myself to take longer if I need it. I think both these stories are more complex than anything I’ve tackled before, and they’re going to need a lot of work during revisions. I’m not going to rush either one. I just have to stay patient, and keep my head down.

Current Mood: Come at me, bitch

Currently listening to: The Revenant OST

Currently drinking: Too much caffeine




Mental Health Fun Times

Yesterday was World Mental Health Day. I only learned this from reading Chuck Wendig’s blog (I’m on a Chuck Wendig binge right now; should really read his Star Wars novels. Anyway…) and it got me wondering about the difference between the Block and Anxiety/Depression. I’ve experienced all three. I don’t think I’m depressed right now, but my baseline is probably so fucked that I can’t tell anymore what ‘normal’ feels like. I’ve been having weird physical symptoms like lack of hunger, weird sense of smell, spongy mouth, breathlessness, which could all mean anxiety or cancer or something else (those are the standard options). And, as I’ve publicly reported on this here blog, I’ve been having major issues with writing for what feels like years. Oh, actually, it has been years. Yay.

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So here’s the tricky bit: how do I untangle the anxiety from genuine illness and writer’s block? How the flippin’ hell am I supposed to figure this out? Like, do I need to go easy on myself, or do I need to work harder? For me, the worst thing about mental illness is the lack of trust in my own judgement. It’s a bit like waking up in a strange world where you don’t know who you are, who to trust, or what you’re supposed to be doing. After dealing with my Fear earlier this year, I managed to haul myself out of the darkest doldrums of depression, and I hoped that my anxiety and Block would go away as a result. But nope, they’re still hanging around. I do feel a lot better – I’m much kinder to myself, and I can’t remember the last time I had a really Bad Day – but I still feel broken and unsure. Is this all part of the creative process? Is this why artists drink?

Bleh. If only I knew. 

Anyway. Yesterday I mapped out broad strokes for each chapter and today I’m going to begin the second draft of Chapter One. I’ve got my original draft to help me, but I doubt I’ll keep much. Maybe the odd line of description or a piece of snazzy dialogue. I’m aiming for longer chapters, closer to 6000 words than my usual 2000, so I’m giving myself until the weekend to get down a rough draft of Chapter One. For whatever reason, longer chapters feel right for this story. 

Right. Here goes…



This Is My Problem

Well, one of my problems. 

My BIGGEST problem is this: I want writing to be simple. I’m not dumb enough to want it to be easy, but I want the process to be reliable and predictable. I want to write 1000 words a day and 100 days later have a first draft. I want to follow a nice editing to-do list that will lead me to a clean second draft. I want to make an outline and then write to that outline. Or I want to write into the dark, and have all the pieces magically fall into place. I want to write by hand and edit when I’m typing up. I want to brainstorm via dictation in the morning and then happily get words down in the afternoon. I want to find my process, my way of doing things. I want to find the perfect schedule, the perfect day. I want habit and routine and for everything to move along at a steady beat. 

Except, I also don’t want that. I’m rebellious by nature. And stories are too. They refuse to act alike. They refuse to act consistently across their lifespans. They’re difficult, unpredictable contrarians. Just like my stupid brain. 

So that’s my problem. I want control when creation is uncontrollable. I want routine and order when a deeper part of me prefers disorder and chaos. 

My solution is I need to soak up the truths from this Chuck Wendig article and remind myself every bloody day that my process is an unknowable, mystical being and my inner chimp throws a major hissy fit whenever I tell it how to spend its day. I have to be present; I have to do things because I enjoy being busy. I have to do something that contributes to the creation of fiction, no matter what it is. I have to forget daily word counts and routines and all that crap. I have to stick with my qualitative approach to recording my progress, because it’s good for me. I have to stop freaking out about all that stuff that doesn’t matter. It doesn’t matter how I do it; I just need to do it.

Urgh. When will I learn?

Half Impulse

K. I had a break. I didn’t think about writing, apart from the odd thought that went along the lines of ‘I have no ideas I’m totally screwed’. Then I came back to my notebook and, just for fun, wrote ‘okay do I have any ideas at all?’ then listed four or five options. Looking at them, I realised that I was put off because they were all difficult, which was when I understood the real reasons behind my writer’s block: fear and expectation. These projects scare me because I don’t believe I can do them justice. Well, the only thing I can do is ignore that critical voice and get on with it. 

To take pressure off a single project, I’m going to work on two at the same time (I said I’d do this back in August but never did). I have about 32,000 words of one. It’s a skeleton. A prototype. The structure is pretty sound, but it all needs fleshed out. As for the other, I have 60 pages of exploration, and some ideas about a second draft. I need to go back to those revision notes and see how I feel about them now. I believe the 60 handwritten pages told me why I was writing the story, but didn’t tell me how exactly to tell it. In other words, those pages revealed the core of the story, but not the story itself. 

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So that’s the state of things. I need to focus on my work rather than the fucking HELLSCAPE that is planet Earth right now. Will there ever be a day when we don’t treat women as nothing more than walking tits-and-wombs? 

parks and recreation GIF by Stan.




Shore Leave

I’m taking a five-day break. For me, this is a very long time. But in this time, I don’t want to think about writing. Which will be impossible, of course, but I’ll do my best to not think about it for very long. I’m going to read lots of books and watch films and go for walks in the hills where the wind can blast away all the garbage in my brain. I’m going to drink lots of wine and pretend everything’s fine. 

That’s all from me. 

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Houston, You Know the Drill

I’m blocked. I’m still bloody blocked. I’m a busted drain. A big sausage stuck in the machine. 

I’ve been trying to write Beauty and the Beast for 15 months. In between attempts, I’ve dabbled in other projects, including one which got somewhere this summer, then petered out and died. 

I’ve completely stalled again on B/B. The characters are static; they lack conflict. I don’t know if there’s enough meat on the original tale to fill a novel, and any other Plot I stuff in feels extraneous (like the backstory they added to the live action version). You know, I just don’t know if retelling fairy tales fits with my creative mind. I officially quit Beauty and the Beast a few months ago, but then I got sucked back in. 

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Current Mood

And here’s the real bugger: I feel like I have no other ideas to turn to. I feel empty and drained. I keep spinning my wheels, getting nowhere. I don’t know how many words I’ve written, but my guess is A Lot. And I have nothing to show for it. This has been a real problem since around February. I plugged the hole by taking a break and revising The Night Mage, and I thought all was rosy again. But I was wrong. Nae roses. Only thorns.

I’ve been stuck in this shit-show for SO LONG that I don’t know anymore if I’m quitting too easily, or if I’m writing the wrong thing. I don’t trust myself anymore. Am I putting too much pressure on the Idea? Do I just need to pick something and finish the fucker? I DO NOT KNOW!

All I can do is communicate via Star Trek GIFs. 

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